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Behringer UBB1002 Ultra Low-Noise Design 10-Input 2-Bus Mic/Line Mixer

Behringer UBB1002 Ultra Low-Noise Design 10-Input 2-Bus Mic/Line Mixer
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Behringer UBB1002 Ultra Low-Noise Design 10-Input 2-Bus Mic/Line Mixer

 
 
 
SKU:  

4155147

Availability:   Out of stock
 
 
Out of stock


Features
  • Ultra low-noise ULN design, highest possible headroom, ultra-transparent audio

  • 2 new state-of-the-art, studio-grade IMP "Invisible" Mic Preamps

  • 130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs

  • Ultra-wide 60 dB gain range

  • Lowest possible distortion 0.0007% (20 Hz - 20 kHz)


Description

Effective, extremely musical 3-band EQ * 10 balanced high-headroom line inputs * State-of-the-art 4580 operational amplifiers provide lowest noise and distortionbetter than 4560 op amps * 1 post fader FX send and 1 pre fader MON send per channel for external FX devices and monitor applications * Clip LEDs on all channels and dedicated inserts on all mono channels * Main mix outputs plus separate headphones and stereo tape outputs * Tape inputs assignable to main mix or phones output * Switchable phantom power for condenser microphones * Long-wearing 60-mm logarithmic-taper master fader and sealed rotary controls * External power supply for noise-free audio and superior transient response * High-quality components and exceptionally rugged construction ensure long life


Product Details
Product Weight:10.0 pounds
Average Customer Rating: based on 7 reviews

Customer Reviews
Average Customer Review:3.5 ( 7 customer reviews )
Write an online review and share your thoughts with other customers.

Most Helpful Customer Reviews

1 of 1 found the following review helpful:


4Maximum mic inputs for minimum bucks!  Jan 26, 2010 By Peter V. Brown
This unit is an excellent value. It has lots of mic inputs, as well as line level inputs. The mic channels can also be used for line inputs, but not simultaneously with mics - gotta choose for each channel. The mic preamps are very high quality.

The unit will run for several hours on four 9V batteries, useful for remote recording.

1 of 1 found the following review helpful:


4One of my favorite toys!  Nov 13, 2009 By David C. Snyder
I enjoy making recordings of my children's piano and band concerts. Usually, I can find electrical power close by, but in cases where I can't, it's really nice to have the option of recording 100% via battery power, and the UBB1002 is one of just a few mixers that offer that capability.

I've only used mine with battery power once, but it performed beautifully, providing 18v of phantom power to my Rode NT5 mics. I ran the output of the mixer into a bus powered USB audio interface that was connected to my laptop running on battery power.

I have used a software spectrum analyzer (from [...]) to measure the frequency response and noise levels of the mixer, and it is _very_ flat. The eq controls also do an excellent job of only altering the specified frequency range. The mixer is quiet as long as you pay attention to your gain structure and keep the sliders at or below 0 dB.

If you're experiencing excessive hiss, you're probably feeding the mixer a signal that is too low. Try increasing the output level on your source or adjusting the gain control on the mixer. You really don't want any of the sliders to be above 0 dB! Oh, also the output is line level, so not intended to feed the microphone input on a laptop PC. You _really_ need an external audio interface like the UCA222, FCA202, or (better) a Creative E-MU 0202 USB that accepts line level signals. If you're using an ASIO driver on Windows, n-Track Studio 6.0 does a nice job as recording software and can take full advantage of the hardware capabilities of your audio interface, up to 24-bits, 192 kHz.

It's possible to create two different mixes with the UBB 1002--a stereo mix (perhaps for house or recording) and a mono mix (to feed stage monitors) using the pre-fader "MON" controls. I do sometimes wish that there was an additional row of pan knobs so that the monitor mix could be stereo as well, but that's one of the compromises that one must accept with a portable/low cost mixer. The larger XENYX 1204 has this and other capabilities for little more money for folks who can live without battery powered operation.

All of this said, Behringer has discontinued this mixer and replaced it with a XENYX model (1002B), which has upgraded mic preamps and "British EQs". Both models have sturdy metal cases, nice power supplies, and should provide years of reliable service (well mine has, anyway).


1Unacceptable  Aug 07, 2009 By James Carlson
The Eurorack was purchased as a portable mixer to tie mics into a camera. The inherent noise in my particular mixer is completely unacceptable. At a very reasonable level using balanced connections the mixer unmistakably colors the sound with a clear sounding "HISS". Even when running on batteries and far away from any electronic device the HISS is incredibly loud! Totally unacceptable for my purpose. The unit is now stashed away in a closet, a washed up waste of time!
However for those on a budget who desire much greater quality with fewer inputs I HIGHLY recommend a Mackie 402-VLZ3 Four-Channel Compact Audio Mixer. However sometimes fewer inputs are unacceptable. Whatever the case steer clear from behringer!


1Keep looking if you want a portable mixer  Mar 25, 2009 By Video Services Of Va
I purchased this unit for its battery powered portable usage. It fails miserably as it produces so much hiss it is unusable. I mean it is poor with a captital P.
The phantom power does not work when in battery mode, nor does the clipping LED's. Keep on looking if you want portability.


4Nearly perfect  Jan 17, 2009 By Zelie Nic
Like another reviewer stated, the manual for the Eurorack leaves a lot to be desired. There's a couple things I can't get it to do. For instance, the headphone jack doesn't seem to work. Nor do the LEDs that show me when I'm clipping. I'm sure I'll figure it out in time. I've only had it a week.

That same reviewer also stated difficulty in hooking the mixer to his computer. I don't know what they're talking about there. I just take an RCA from the REC OUT on the mixer, (and you'll need an RCA to 1/8 stereo jack) and then I plug the 1/8 jack into my computer's microphone port. Viola!

I use this mixer in conjucture with Cakewalk 9, or Audacity. I used to run my mics into my power mixer and then into the computer. Too much power was going to the mixer though, and I was cursed with this...white noise; a constant hissing. The Eurorack solved that. I'll be happier though when I find out how to get the headphones to work on it. In the meantime I just plug my headphones into the computer speakers.

See all 7 customer reviews on Amazon.com
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