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| | Features | Class-A discrete transformer-coupled mic preampVariable mic input impedanceCompressor/limiter and 3-band parametric EQUltra-low noise and high headroomOptional 24-bit / 192K I/O card
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| | Description | The Eureka is a professional recording channel strip containing a discrete class A transformer-coupled microphone preamplifier, compressor, and three-band parametric equalizer. The microphone preamplifier features variable input impedance so that the Eureka can be matched and "tuned" for all types of microphones and recording applications. The Class A transformer-coupled microphone preamplifier also features a saturation control which adjusts the drain current on the input FET amplifier to simulate of the effects of tape saturation and tube "warmth". | |
| | Product Details | | Product Length: | 24.0 inches | | Product Width: | 14.5 inches | | Product Height: | 5.5 inches | | Product Weight: | 10.0 pounds | | Package Length: | 24.0 inches | | Package Width: | 14.5 inches | | Package Height: | 5.5 inches | | Package Weight: | 10.5 pounds | | Average Customer Rating: |  based on 3 reviews |
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| | Customer Reviews | Average Customer Review: ( 3 customer reviews )
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Most Helpful Customer Reviews
4 of 4 found the following review helpful:
 Pleasantly Surprised May 28, 2007
By Fly By Light
The Eureka has gotten a lot of buzz. The box feels solid and substantial. It comes with gain, hard/soft compression, three band parametric eq, and master volume. The patch order of the eq and compresion can be switched, depending on your needs. Other useful features include phase inversion, variable impedence, and a saturation knob. A backlit analog meter can display incoming signal level or gain reduction. Inputs and outputs are both TRS and XLR. An effects insert point is included. An optional digital output card is available.
I bought the Eureka on the recommendation of a trusted music salesperson (yes, they exist) to power my Royer 121 ribbon mic. There were no preamps anywhere close to this price that he would consider recommending. As it turns out, he did me a great favor. The Eureka does a very solid job with the Royer mic (although I haven't heard the Royer on anything else, so I can only speak to the pairing of the two). Better yet, it gives me new options for almost every other piece of gear I own. I have an inexpensive Precision bass that really benefits from this box - the compression and preampe give it the fullness of a better instrument, while the eq helps to control the noisiness and unevenness between strings. The variable impedence allows users to try those DIY tricks on Shure SM57 mics without pulling out a soldering iron. Other budget-to-midrange mics also benefit. I run my Mojave tube mic through the Eureka to control peaks with good results. I haven't found anything that doesn't benefit at least a bit from the Eureka. I have even heard of mixes being run through the Eureka (one side at a time) to remove the dreaded "digital chill". Between the quiet operation and the versatility of the Eureka, it is no wonder that it is quickly becoming a "best kept secret" among many home recordists and even sine professionals.
Downsides: The knobs are close together and seem vulnerable to being bent. Three sweep eq's with no shelving eq are less than I'd prefer, but they do their job. The optional digital card can take signals from two Eurekas run in tandem, but the signal from the second Eureka must pass to the card in the "analog domain" before it is converted to a digital signal. As with any analog gear, favorite settings must be written down instead of being saved to memory for instant recall. None of these issues is a deal-killer - they just illustrate how hard I had to work to come up with any complaints at all.
If you're looking for a way to bring your home recording quality up a notch, or a way to give old gear a new lease on life, the Eureka may be just the ticket. Its quality sound, versatility and bang-for-the-buck put it in a niche that will make many bugdet-minded recordists very happy.
3 of 3 found the following review helpful:
 Like a "baby" Avalon..? Feb 17, 2009
By HUGH H. KIRKPATRICK
"Chuck Kirkpatrick"
Well, not quite an Avalon...but about a third the price. When my VXP - which I loved - crapped out, I replaced it with the Eureka, which was about the only thing in that price range I could trust. It's similar to the VXP but without the noise gate which I miss. I do like the GR/GAIN meter better than just the LED's the VXP used for levels. Another feature is the variable input impedance which is supposed to allow better matching of microphone to preamp. I'm using a tube Neumann U-67 and have the control set to 600 ohms. Sweeping the control from minimum to maximum doesn't seem to yield a huge difference in sound or tone with this particular mic but might with others especially ribbons. I still have my VXP which I will hold on to as a back up should the Eureka fail. I sent the VXP back to Presonus for service and for a very nominal fee, changed some parts and restored it to factory specs....great customer service.
Good Clean Preamp Feb 19, 2012
By David W. Larsen
The Presonus Eureka is a good clean preamp. It has a sound that is very similar to their XMAX pres on the StudioLive Mixer and the Firestudio interfaces. The sound is calm even and not in your face. I recently got one to power my nylon string acoustic guitar through it's pick and it gives me a very even and warm sound. I used about 70% of the transformer coupling to knock down fret noise and give it more warmth. Compared to my Forcusrite ISA One this makes the sound a little dry, but it is a lot more realistic. The Focusrite gives it a "pumped" sound like it is running through an amp, but I am trying for a more delicate acoustic setting. Having used lots of Presonus gear, I think this is another good quality product that have a nice solid sound. I REALLY with it had more output considering it gives about half the signal that the Focusrite does. It also could use some more acurate metering. To record into my DAW I have to pretty much had to make the needle go way up into the red to get a hot signal. It is not clipping or distorting, but the VU meter should read better. I really feel like it is reading a number that is untrue to the output.
Bottom line:
This is a nice pre for DI instruments and mics. It gives you a clean, unaltered sound that works good for strings, voice and other delicate sources. It might be a little wimpy if you are a heavy metal screamer, but that is why we have options in preamps.
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